Ibsen and the Modern Self — A Multidisciplinary ConferenceThe Open University of Hong Kong、Hong Kong Baptist University、Guangdong University of Foreign Studies

On Being Oneself and Losing One’s Self - Henrik Ibsen’s Peer Gynt Seen by Edvard Munch

Brand’s Homelessness

The Dialogic Self in Ibsen’s Drama

My Idea of Halvard Solness

My Work on Ibsen

Ibsen in the Black Box

Ibsen and the (post-)modern self – some recent interpretations

Lay Adream - The Modern Self in Ibsen’s Poetry

The Child’s Deformity and the Mother’s Identity – A Study of Henrik Ibsen’s Little Eyolf

Ibsen in Dublin - A Nordic Contribution to Irish Modernity

Ibsen’s Impact on South Asian Drama

The Self and Non-self - A Japanese View on Brand and Peer Gynt

The Idea of the Middle and the Ibsenian Character

The Androgynous Self in Ibsen

Control

Incongruity between Man’s Expectation and Woman’s Dream - On Ibsen’s The Lady from the Sea

Ibsen and Chinese Women’s Quest for Modern Self

The Dramatic Possibility of the Self-Conscious Beauty – A Comparative Study on Manon

Master in Reflection - An Analysis of Lin Zhaohua’s The Master Builder

Ibsen

Peer Gynt over the Century

The Question of Selfhood in Ibsen’s Peer Gynt

Modernity and the Dialectic of Reason in The Master Builder

Ibsen’s Nora Revisited - Female Body and Identities in China Doll

Cross-Cultural Staging of the Ibsenian Self

Cross-Cultural Staging of the Ibsenian self - A Critical Study of Traditional and Modern Women in Iran

Performing the Real Thing

Self-Knowledge and Aesthetic Consciousness in Ibsen and Hegel

Staging the Epic Self - Theatricality

Portrayal of the Modern Self in When We Dead Awaken

Danse Macabre - John Gabriel Borkman’s Self in Ecocritical Perspective

Ibsen and Freud - A Postmodern Perspective

Peer Gynt - Three Psychoanalytical Interpretations