The project was developed during Huda's Director's Fellowship at the International Center of Photography in New York. The resulting 25 large-scale prints, shot on analog medium format and thermal camera, are co-authored acts of sovereignty where every subject held full agency over their representation. The portraits visualize the invisible "divine energy" flowing through the unchosen, offering a sanctuary where becoming a "monster" is not despair—but a radical reclamation of power.
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