The exhibition "Listening to the Lost Organ" finds its inspiration in the auricular muscles, an auditory mechanism once used to adjust and orient toward sound that has now largely become vestigial. The work explores how humans are gradually forgetting their innate organic capacities as technology reshapes the structures of perception. This physical structure, which still exists but is rarely consciously felt, serves as an entry point for rethinking perception and bodily function.
Through a series of rotating speakers, the exhibition constructs a dynamic sound field where the direction of sound is constantly shifting. This prompts the audience to adjust their posture and focus. Listening is no longer a passive act of reception. Instead, it becomes a physical response to the movement of sound within the space, allowing the audience to re-experience orientation as a collaborative process between the body and the speakers. The direction of sound is no longer determined by the organ alone. It is generated between the space, the installation, and the body, presenting perception as a fluid and ever-changing state.